Hey looks at the question of our place in the world emotionally and brings about the great philosophic question of suicide. We look into the absurdness, the surreal distortions of the mind as a point of view from a faceless protagonist. A Camus and Kafkaesque like experience, an abstracted trial of the soul that struggles like Sisyphus, only to find the protagonist in these abstracted rooms formed only in the mind. Finally, he serves as mirror to the beauty, the confusion, the rejection, and emotional pressure of his journey. To finally come to a point where the band serves as the final procession of letting go and able to pass on.